Christopher Hitchens reviews playwright David Mamet's latest non-fiction(?) book The Secret Knowledge, and it sounds pretty horrible.
So horrible, in fact, that it almost makes me wonder if its some sort of performance piece, whether Mamet, having not accomplished anything substantial in theater in decades is now desperately trying to be relevant by pretending to convert to radical conservatism. I can't be the only person who had this thought, but Hitchens doesn't seem to entertain the idea.
Whether it's earnest or art, either way, it's pretty sad.